Sunday, 15 April 2018

Dolly horror

Every week, Alley comes up with something inventive for her all-female photography group to shoot. Week 12 was 'horrify me - scare with a truly horrifying image.'

So.. up into the loft I went. I regularly go up there these days as just behind where the camera was positioned for this shot is my rather unglamorous walk-in wardrobe. Yes, I have so much shite I am now adding to the loft! Everything is in storage boxes and on lined up clothes rails - it would make quite a cool backdrop for another shoot, but yesterday I shot the other direction as I liked the clutter and the wooden beams, and I wanted some of the hatch opening in the shot too.

I used my Pixapro 308D constant light - bit obsessed with it right now.. the light doesn't travel very far, (more for headshots) but I like its coldness and the fall-off. Definitely going to be taking that to the Walter's Wardrobe photography event this coming week and I'm SO excited about that!
Back to this shot though - this is nothing like the kind of stuff I normally shoot. I never shoot horror or urbex or anything like that really, so it was a bit out of my comfort zone. I left the little lightbulbs on in the loft - there was one behind me in the distance - I thought it would help the lighting a bit and create a backlit effect, but the 308D mostly overpowered them.
I smudged a load of black eyeshadow all the way around both eyes and down my cheeks, pencilled in both waterlines with black eyeliner, blanked out my lips with concealer then drew black veritcal lines like stitches over the top using eyeliner. Didn't bother with any other make-up as I knew I wanted to the shot to be wide rather than close-up. The wig is an old one I don't use often but when I do, I usually love the results.

Anyway, imagine all your old dolls up in the attic came to life and were pissed off and wanted revenge for badly cutting their hair and leaving them to rot in the dirt & cobwebs, bahaha.

(Zoom lens on 20mm - settings are f5, ISO 800, 1/100th sec)
Please click on the image to see a larger version..


Wednesday, 11 April 2018

Macro oops!


WEEK 12Technical: MacroLife is in the details. Get in close and show us the details we usually miss. You don't need a macro lens to shoot a macro shot.
Close-ups are not my bag.
I'd bought a bright pink LUSH bath thing, decided to push myself to impossible heights and shoot a macro beauty (selfie) whilst laying down in a bath of water using - not flash - but my new constant PIXAPRO 308D light.
The light is super bright, but not bright enough to enable me to shoot at anything like f16 and subsequently a lot of images weren't in focus.
Also my shutter speed was dodgy AF considering I was sliding around in water and unable to keep completely still.

It's so hard to shoot beauty selfies; I'm almost close to giving up!
This set-up wasn't great because I was getting up to check every other photo and the steam from the bath was making my make-up run so it was just as difficult to retouch as it was to shoot. Oh well!

Settings shot on a 60mm macro lens: f11, ISO 200, 1/100th sec.


Two in one at the spa

Week 11 was a busy one as I was travelling around London and then Birmingham with not much time to shoot. I took my camera and a light to Birmingham in case our hotel room was nice, but it wasn't - in fact I'm sorry to say it was quite dated and small, but the hotel had a spa and I managed to take a photo on the Fuji X30 from across the other side of the leisure centre, lol.


WEEK 11Composition: Negative SpaceMinimize the composition to isolate your subject. The composition should be simple, thereby drawing your viewer to the subject.
So that was the brief for one challenge - I balanced the camera, (much smaller and easier than the DSLR) on some towels on the floor and held the remote shutter in my hand. To capture the negative space around me, I shot my final selfie here at 16mm.

The other photographic challenge was: "Once upon a time there was ........ I want you to tell me a fairytale, but specifically your very own fairytale & it doesn’t have to be a happily ever after....." 

Great! So once there was a girl who went to The Photography Show at the NEC Birmingham and she bought all kinds of cool things she'd always wanted.. and a pretty bohemian patterned camera strap because she could.. and caught up with loads of friends. And then she came back to the hotel, had a glass of wine and slipped into the spa.. the end! 
If that's not a fairytale, I don't know what is ♥

I'm basically lazy and have offered the same photo for both challenges :)
(Please click the image to see it larger)

Friday, 30 March 2018

A red kitchen

Hello, happy Easter holidays / bank holiday weekend!

Oops, this is the first time I've properly been behind; not just with the blogging but the actual shooting of challenges too. It's week 14 on Monday and I've only photographed content up to week 11.. hoping to shoot a lot of cool stuff over Easter though.

I've just finished editing a little behind the scenes video from my last selfie at The Hacienda London, which resulted in the image for week 10.

WEEK 10Vision: Selective ColorI know, I know. Yuck. Selective color can be cringeworthy, however, when done right, it brings compelling focus to the subject.
In the past I've been quite vocal about how much I despise selective colour but I've sort of calmed down on that now because if done right, I think it can look quite effective. I'm not by any means saying I 'do it right' because I'm not even sure what that means.
My take on it is if the colour palette in the image is already pretty neutral, specifically monotone, it seems to be easier to get a result which isn't cringeworthy, as the dominant colour pops out naturally in the colour version. I guess these are usually photos which are minimalistic in content, but they don't have to be. I also think it's not great to concentrate the selective colour to skin, ie. change skin to B&W but keep coloured make-up in the original shape of the lips / eyes. If the skin isn't a direct feature of the selective colour, I'm going to say it's fine to change it to B&W.
Part of me doesn't really know what I'm talking about whilst writing this as it all seems to contradict itself.. maybe it's just hard to write, lol. And there are no rights or wrongs really anyway, only what looks good and what looks bad.
You may think my attempt looks hideous, (even though I'm quite pleased with what I ended up with) which is fine(!)

Anyway I was staying at my second home, The Hacienda again and the kitchen is quite monotone.. mostly dark surfaces and stainless steel with bright flashes of red and not much of any other colour. I teemed this background, (I flipping love this kitchen) with a bright red dress I had in my suitcase and came up with a simple set-up of me sat on the worksurface in the dress with the red appliances around me on the same horizon. I knew I wasn't going to cut out the red items specifically to keep red, but make a 'bar' of colour right through the middle of the picture and have the top and bottom bits B&W only.. which is what I ended up with.
The lighting was stark because I kept the grid on the beauty dish - again it's what I wanted as it gave harsh light and starker shadows to match the hardness of the steel pots & pans. I didn't want a soft image.
As you can see in the video below, at first I placed the light side on, but moved it later to a 45 degree angle. My remote shutter release wasn't working that day so I ended up setting the camera on interval timer, (one photo every 5 seconds) and running backwards and forwards to the kitchen.
The camera was way back because I only had an 85mm lens, and I had to do a lot of moving about of the breakfast bar & stools.

Here is the making of the image, start to finish:



And here is the finished image as the image quality of the video is really poor. I'm not sure why as it looked much better whilst working on it in Photoshop. Maybe it's an export problem or maybe it's just my lowly iPad combined with low light not offering good enough quality.

The actual photograph was taken using a Nikon D850, settings: ISO 320, f5, 1/100th sec
Hope you enjoyed this!

Saturday, 10 March 2018

The future is female!

It's week 10 and the theme from my all-female photography group is 'bonkers.'
I am with my gorgeous friends, Layla & Eddie in Woolwich and met incredible American actress, Debra Lamb who is staying with them right now. They have the use of some wild and beautiful outfits from designer, Belinda Chorley from Beyond Bridal and the three of us got in on a crazy, colourful selfie, packed full of patterns and textures.

Here are some fun behind the scenes instagram posts from Debra & Layla of our day yesterday..





Please go give them all a follow on instagram!

I set up my portable flash and using the 35mm lens, (f8, ISO 100, 1/100th) fired shots using a remote shutter at first, having lined up the shot with Debra & Layla in place.
Then for some reason, the remote shutter stopped working, so finished the set with the interval camera timer.
I think this finished bonkers shot came from quite early on in the set..
Thanks to such an amazing team.. I can't wait to come back in the summer when Debra is back over from America and we can do this again, as initially I wanted to shoot outside but the weather definitely hasn't been co-operating.


Monday, 5 March 2018

Not forsaking all others, but come to our workshop!


WEEK 9Creative: ForsakenAbandoned and Forgotten were favorites in the past. Let's revisit the idea the idea this year with forsaken.
Finally up to date on blogging and today, (a little late) I shot my photo for Dogwood, week 9.
Camera again on a low tripod, (to make the doors appear taller) with 16-35mm zoom.. I knew I wanted to shoot in my spacious hallway on a wide angle lens and use the space to help the narrative.
I like how the distortion brings the doorfames to lean in towards each other, almost menacing and like I'm cowering from them. The colour tones and doors shut symbolise being left out, abandoned, forsaken.. and I felt the nudity adds to the vulnerability.

I shot this using one flash (portable flash kit - Godox AD360) and a homemade modifier using a couple of items most people already have in their kitchen, which not only created the highlight on the subject (me) but also the darker shadow surrounding me, like metaphorical dark clouds, feelings of being trapped, lost and deserted, which again I felt favoured the brief.

Settings: 24mm, ISO 100, f8, 1/100th sec


If you like the thought of learning new and unique lighting techniques, how to shoot stunning in-camera effects like the above and so much more with the use of every day items, Simon(e) and I are running our super fun 'Lighting Outside The Box' workshop again due to popular demand with a couple of sessions still available for the afternoon only.

The date is Sunday 8th April and the afternoon sessions run 2-6pm (morning is fully booked) ..this workshop is completely exclusive to the beautiful Hacienda Studio, East London.

The groups are kept small, just 4 photographers per session, and the fee is £200 per photographer. This price includes my modelling fee, tuition from Simon who has over 20 years experience in photography, film & television, use of the entire stunning Hacienda location, use of equipment, equal shoot time, refreshments, plus a generous donation to the studio's chosen charity, Shelter From The Storm, for London's homeless.
Please feel free to bring a notebook if you wish to take notes and questions are of course welcome both on the day and indefinitely after the workshop. All participants also go home with a free 'Lighting Outside The Box' modifier!

You can read more about The Hacienda and see some of my previous work there here in one of my earlier posts.


If you like the sound of joining us, please do get in touch and we'd be happy to answer any more questions you may have or book you in.


________________________________



Baby it's cold outside

My all-female photography challenge group picked a great theme, 'The Cold' for week 9 way before they knew what the weather would be doing.
It's been snowing constantly pretty much all over the UK - I gave up a lie-in one morning last week to grab a selfie before it melted because snow in Angmering literally NEVER happens. Took the opportunity to make this one as easy as possible.
It's amazing how elegant an ugly old weed-infested driveway looks with some sun flare, a lace dress and a bit of snow.

No real interesting set up I'm afraid.. just camera on low tripod on aperture priority with 85mm lens, ISO 100, f3.5..
I set a mini stool up in the frame to sit on and set camera on interval timer, (I broke the lead to my remote shutter release.. have ordered another) ..just ran into shot flinging my boots off. Must have taken 10 shots max after the 'set-up' tests and 10 minutes total outside. These two below made the cut.

It was snowing heavily at the time even when the sun came out, but I added more snow in post using the noise filter and curves on a separate layer so it showed up a bit better. The second photo was naturally warmer in colour tone than the first, so I 'shopped in the fake sun glare behind.
(Click on an image to see larger)


Dress: Oshoplive
Hair: wig

Popular Posts